The fourth instalment of the car chase laden action franchise starring Vin Diesel. When a crime brings them both back to LA , fugitive ex-con Dominic Toretto (Diesel) reignites his feud with agent Brian O'Connor (Paul Walker). But as the two men find themselves facing a common enemy in the form of a major heroin importer, they are forced to give in to an uncertain new trust in order to infiltrate his operation and out-manoeuvre him.

Vin Diesel and Dwayne Johnson reunite for the fifth instalment of the 'Fast and Furious' action thriller franchise. Freed from jail by an unlikely ally: former cop Brian O'Connor (Paul Walker), ex-con Dominic Toretto (Diesel) and his wife Mia (Jordana Brewster) are forced to enlist Brian's help once again as they find themselves cornered by a ruthless drugs gang in Rio de Janeiro. But the Rio gangsters are not the only ones on Dom's tail; wily federal agent Luke Hobbs (Dwayne Johnson) has also been assigned to track down Dom and Brian, and will stop at nothing to corner his prey.

Shyam Madiraju directs this drama starring Ethan Peck and Nate Parker. After their plane crashes in the Pacific Ocean, the surviving members of a US football team find themselves stranded on a deserted island with limited resources and little hope of rescue. With supplies quickly running out, teammates Andreas (Peck) and Slim (Parker) begin to turn on each other after disagreeing on how to ration their dwindling resources. With the increasingly unbalanced Andreas forming his own faction and taking them to another nearby island, Slim is left to try and hold the remaining survivors together while also trying to protect them from Andreas and his group's violent behaviour. The cast also includes Jessica Lowndes, James Remar and Diego Boneta.

Crosslinguistically, motion verbs are used to describe stationary scenes. Sentences such as 'The road runs through the valley' and 'The mountain range goes from Canada to Mexico' include a motion verb but express no explicit motion or state change. Such sentences involve a motion evoked in the mind of the conceptualizer, which is called subjective motion, fictive motion, or abstract motion. This book aims to investigate these motion expressions in English employing the term of subjective motion. It provides both similarities and differences between objective physical motion and subjective motion establishing grounds for accepting the validity of the subjective motion account. Also, the characteristics of subjective motion in English are analyzed in light of Path, Manner, and language-specific features. It is not trivial nor random that motion verbs are systematically used to describe stationary scenes. Although a lot more work is needed before definitive conclusions can be drawn, this preliminary exploration demonstrates possible complexities of subjective motion constructions.